Last Wednesday (July 13) at a confiscation hearing at Kingston Crown Court, Grant Champkins-Howard and Lee Parker – who were convicted last year for selling fake artworks in the style of Banksy – were ordered to pay £24,000 as part of a confiscation order issued under the Proceeds of Crime Act.
The money will be paid in compensation to victims of the duo’s online scam, which netted them more than £80,000.
At their trial last year, Champkins Howard and Parker denied conspiracy charges of copying and embellishing punk-era clothing designs by Malcolm McLaren and Vivienne Westwood and possessing articles for use in fraud. The court ordered that these charges should lie on file.
//Vivienne Westwood (third right) with LIR assistant Addy Isman + Teddy Boys outside 430 King's Road, Chelsea, 1972. Photo: David Parkinson.//
Vivienne Westwood has asserted her rights to the marks Let It Rock, Too Fast To Live Too Young To Die and Worlds End (the names of the shop at 430 King’s Road operated by Westwood and Malcolm McLaren in 1971-72, 1973-74 and 1980 to date respectively).
This is significant. While Worlds End has clearly been Westwood’s since she split with the late McLaren in 1984, they adopted a laissez-faire attitude to enforcing their intellectual property rights to the shop names and dozens of designs created during the 13-year partnership which also included the incarnations of 430 as SEX (1974-76) and Seditionaries (1976-80).
//Second right: Lennon; far right: T.Rex manager/stylist Chelita Secunda.//
Over the last couple of years, the recession has inspired the return to popularity of utility clothing. As this cutting shows, the first British workwear wave occurred in the early 70s when a former Beatle’s penchant for denim coincided with the opening of Paradise Garage at 430 Kings Road.
In London local newspaper the Evening Standard, Janet Street-Porter described how fashionistas and music fans took their cue from John Lennon’s US-flag emblazoned bib & braces and flocked to Trevor Myles’ shop in World’s End for hickory stripe dungarees, Women’s Land Army overalls and second-hand Levi’s.
The first edition of THE LOOK was launched with a party at Astral, Soho, in March 2001.
It was packed to the gills with media, well-wishers and many of the contributors.
Cover stars Pippa + James performed as Shopgirl and the DJs represented different eras covered by the book: Jeff Dexter played his mid-60s Tiles set; Don Letts + Dan Donovan shook the walls with the sounds Don played at The Roxy in 77; Jay Strongman span the early 80s music from The Dirtbox; and Count Indigo the 90s loungecore scene centred on his Madame Jo-Jo’s club Indigo.
According to the owner – who is now prepared to part company with it – this is one of only three python coats produced by Clark; one of the others was apparently retained by his business partner Alice Pollock.
Final preparations are being made to John Simons’ new shop at 46 Chiltern Street, in the simpa area of London’s West End wedged between Baker Street and Marylebone High Street.
The sign has yet to be erected and there are many finishing touches to be made but already the space is shaping up to present a unique offer. “I’m juxtaposing the clothes with my abiding interests in art and design over many years,” says Simons.
As explored in THE LOOK, Simons is the nonpareil purveyor of the finest US menswear brands, in particular those associated with Ivy League and the 50s/60s modernist movement in clothes.
Simons has long been at the forefront of the field, with such rich associations as Cecil Gee in the 50s, The Ivy Shop in the 60s and 70s and J.Simons in Covent Garden for more than two decades up until February this year.
John Simons, Chiltern Street, London W1, November 30, 2010.
INSIDE JOHN SIMONS’ NEW STORE: “A MODERNIST’S DREAM”
[This was originally posted on December 7,2010]
Tomorrow see the opening of John Simons’ smart new retail outlet at 46 Chiltern Street, London W1.
These photographs were taken last week; much progress has been made since, but they should provide a flavour of the environment Simons and his team – including son Paul – are creating.
Formerly the site of a print shop, the premises have been transformed into a modernist’s dream, decorated with art, insignia, branding, furniture and design classics, some of which serve as fittings, such as the Penguin Donkey which will be used to display socks.
Original clothing from Mr Freedom – the boutique operated by Tommy Roberts and Trevor Myles from 430 King’s Road in 1969-70 and then by Roberts in Kensington Church Street in 1970-71 – is now much sought-after.
These four items – including a roll of screen-printed fabric – are from Roberts’ own archive and are for sale. All are in excellent condition. Please direct all inquiries to firstname.lastname@example.org.
Designed by Diana Crawshaw, the front-tied “baseball suit” was one of Mr Freedom’s most famous creations, worn by many a pop star and celebrity.
This jacket is a contemporary size 10; the 14 label reflects how sizing has changed in the last 40 years. Like the jacket, the matching trousers are also size 10 and are made from cotton velvet from Mr Freedom’s supplier in Lyons.
The trousers came in three-quarter and full-length. These are the flares with an inch-and-a-half turn up and two labels – an interior one in the style of a Tom Wesselman nude with a sun-ray version stitched into the waistband at the back.
The unisex Western-style shirt is a typically exuberant example of Mr Freedom’s playful approach to pop archetypes, in contrasting mauve/scarlet with snap fastener buttons. This fits a 38in chest and has a 15-and-a-half neck size.
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